Showing posts with label Hans Hofmann. Show all posts
Showing posts with label Hans Hofmann. Show all posts

Sunday, July 17, 2016

Abstract Expressionism and New York City




Abstract Expressionism marked the beginning of New York City’s influence as the center of the western art world. 
The world of the Abstract Expressionist artists was firmly rooted in Lower Manhattan.
A walk along 8th Street would take you from the Waldorf Cafeteria, where penniless artists made “tomato soup” from the free hot water and ketchup; 
past the Hans Hofmann School of Fine artists founded by the painter of the same name; 
to The Club, 
a loft where lectures and heated arguments about art carried on late into the night. 
Jackson Pollock’s studio was on East 8th Street, 
Willem de Kooning’s Philip Guston’s, Albert Kotin's and most other pioneer New York School artists' studios were on East 10th. 
Most nights the "down town artists" could be found at the Cedar Street Tavern on University Place.  
Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, 
it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism. 
Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky. 

Paintings by the artists of the 9th St Show

  Marika Herskovic/Virtual Gallery



Abstract Expressionism and New York City



Abstract Expressionism marked the beginning of New York City’s influence as the center of the western art world. 
The world of the Abstract Expressionist artists was firmly rooted in Lower Manhattan.
A walk along 8th Street would take you from the Waldorf Cafeteria, where penniless artists made “tomato soup” from the free hot water and ketchup; 
past the Hans Hofmann School of Fine artists founded by the painter of the same name; 
to The Club, 
a loft where lectures and heated arguments about art carried on late into the night. 
Jackson Pollock’s studio was on East 8th Street, 
Willem de Kooning’s Philip Guston’s, Albert Kotin's and most other pioneer New York School artists' studios were on East 10th. 
Most nights the "down town artists" could be found at the Cedar Street Tavern on University Place.  
Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, 
it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism. 
Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky.

Paintings by the artists of the 9th St Show

 Virtual Gallery




 

Wednesday, October 14, 2015

Abstract Expressionism-New York action painting 1950s

NEW YORK notable action painters 1950s




James Brooks (1906 – 1992) 

James Brooks, BERL, 1956Oil on canvas, 62 x 66 inchesAll rights reserved by the artist or his legal delegates. 
Book: 
New York School Abstract Expressionists: Artists Choice by Artists


Video: 
James Brooks Abstract Expressionism-New York School 1950s action painting


Nicolas Carone (1917 – 2010)

Nicolas Carone, Untitled, 1957. 
Oil on canvas, 60 x 74 inches. 
All rights reserved by the artist or his legal delegates. 



Video: Nicolas Carone-Abstract Expressionism-Artist of the 9th St. Show

Elaine de Kooning (1918 – 1989) 

 Elaine de Kooning, Untitled, 1957
Oil on canvas, 30 x 30 inches
 All rights reserved by the artist or her legal delegates. 

Perle Fine  (1905 – 1988)

Perle Fine, Roaring Wind, 1958
Oil collage on canvas with aluminum foil, 42 x 52 inches
All rights reserved by the artist or her delegates

Books including Perle Fine:
New York School Abstract Expressionists: Artists Choice by Artists;  


American Abstract Expressionism of the 1950s: An Illustrated Survey;


American Abstract and Figurative Expressionism: Style is Timely Art is Timeless;

Video: Perle Fine Abstract Expressionism-1950s New York action painter


Michael Goldberg (1924 – 2007)

Michael Goldberg, Untitled, 1949.
Oil on canvas, 34 x 24 inches.
Exhibited in the “9th St.” Show, 1951 

All rights reserved by the artist or his legal delegates.

Books including Michael Goldberg:
New York School Abstract Expressionists: Artists Choice by Artists


American Abstract Expressionism of the 1950s: An Illustrated Survey


Hans Hofmann (1880 – 1966)

Hans Hofmann, Zig-Zag 1960 
Oil on cardboard, 14 x 11 inches cat. 1046-1960All rights reserved by the artist or his legal delegates.

Book including Hans Hofmann:
New York School Abstract Expressionists: Artists Choice by Artists 


American Abstract Expressionism of the 1950s: An Illustrated Survey 



Albert Kotin (1907-1980)

Albert Kotin, Untitled, 1954
Oil on canvas, 70 x 58 inches
All rights reserved by the artist or his legal delegates.


         Books on Albert Kotin:

Conrad Marca-Relli, Untitled, 1958 Oil on canvas collage on canvas, 38 x 47 1/2 inches 
All rights reserved by the artist or his legal delegates.

Books on Conrad Marc-Relli:

New York School Abstract Expressionists: Artists Choice by Artists 

American Abstract Expressionism of the 1950s: An Illustrated Survey

American Abstract and Figurative Expressionism: Style is Timely Art is Timeless

Video: Conrad Marca-Relli Abstract Expressionism 1950s-New York School collage-painter



Marquis Who's Who Press Release
http://www.24-7pressrelease.com/press-release-service/494657 



All the books are also available at:

amazon.com


https://plus.google.com/+Newyorkschoolpresspub